60 pages • 2 hours read
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Content Warning: This section includes discussion of child death, graphic violence, racism, pregnancy loss, animal cruelty, and sexual content.
Back in 2019, Ebby sees Robert again and enjoys being with him. He invites her out the next night.
Henry wants to talk to Ebby. He is worried his father’s friend knows something about the crime done to her family. He begs for Ebby to hear him out and explains that he was uncomfortable that this man knew that the jar was broken when Baz was killed. Ebby has always suspected that the robbers were there specifically for the jar.
Ebby describes to Henry what she saw the day of Baz’s death: two robbers in ski masks asking Baz where “it” was. She is sure they meant the jar. She never mentioned this detail to the police or to their parents because she feared that the robbers might come back. Now, Ebby is angry that her identity has “continued to be shaped by what had been taken from her family. Her brother. Her first home. Her family’s privacy. Their heritage” (208). Henry knows that his father’s friend Harris is in the insurance industry and that people steal art. Henry hates confrontation, so he avoided mentioning the issue, but in running away from Ebby, Henry realizes that he “has taken himself down a notch as a man” (210).
Avery has been reading about rebound relationships. As she approaches the cottage, she sees Henry and Ebby together. Ebby is angry with Henry, telling him that, with his silence, “You decided that your people were worth more than my people” (213). Avery sees another man in the yard, who greets her.
Robert, after seeing Ebby with Henry, feels that he has been foolish. He has been lonely after his wife died, and that made him hopeful about Ebby.
Ebby is glad to hear Henry say that he never stopped loving her. She lets slip that she was pregnant.
Ebby still longs for the version of Henry that she was supposed to have married, but she realizes that this Henry is not that man. Henry cries over her lost pregnancy. They make love, but then she tells him to go.
Ebby eavesdrops on Henry and Avery’s argument. Avery takes her luggage and leaves.
In 1829, the chief’s daughter is cast out of her tribe for carrying the child of an escaped African whom the tribe allowed to live with them. The woman and her lover find shelter with a formerly enslaved farmer. He gives them provisions and a scrap of wood with an X burned onto it. Where they stop next, they can show that piece of wood and get help. They arrive in Massachusetts. They purchase land, and although “[t]hey had found a place with good dirt, […] they could not be sure of holding on to it” (226). The chief’s daughter gives birth to a daughter, Aquinnah, who later meets and marries a man calling himself Edward Freeman, but whose other name is Willis.
Willis sails for a time, but he doesn’t want to continue whaling. He makes money with his carpentry business and the designs he paints. The jar made by Moses, which stands in the Freemans’ kitchen, becomes a place that people can leave and exchange notes. When the Fugitive Slave Act is passed, they discuss Willis’s leaving, but he doesn’t want to be apart from his family.
Back in 2019, Henry considers what Ebby told him. He knows his mother never approved of Ebby. He hopes Ebby will stop him from leaving, but she doesn’t.
Ebby hears Henry leave. She finds her cardigan and realizes that Robert must have come by while she was with Henry.
Ebby finds Robert to apologize. They spend the day at his grandfather’s, and Ebby learns about Robert’s wife.
Avery decides to rebuild her life. Henry thinks about going to an artist’s residency for photography. Ebby realizes that it’s time to return to Connecticut.
Ebby hesitates to leave France because she wants to see more of Robert.
In 1873, Willis isn’t overjoyed that his sons, Edward Moses and Basil, are leaving to work on whaling ships out of San Francisco, but he knows that they need work. Aquinnah finds letters from them in the jar. They keep the small square of wood with the X in the jar as well.
In 2019, Ebby looks for a therapist in France. She talks to her mother, who has spoken with Henry and Harris. Harris knew about the jar being broken because Ed told him when he asked about insurance policies. Her mother says that Ebby’s father is brooding. He worries that Baz’s death was his fault because Ed was the one who wanted to move to Connecticut.
Ed has left Soh and gone to stay with his parents.
When Henry finally confronts his father’s friend Harris, he learns that Harris is also a friend of Ed Freeman’s, and that’s how he knew what happened to the family jar. Harris thinks that Henry ought to approach the Freemans himself. When he does, Soh slaps Henry across the face.
As Henry talks to Ebby’s parents, he sees their faces when he reveals that Ebby still has nightmares. Henry admires Ed and Soh and is humbled by how they have persevered after the death of their son.
Ed recalls how, after Baz’s death, he and Soh “had been, if nothing else, organized and discipline in their grief” (254), but now he worries about her coping. He thinks she depends too much on Ebby. He worries Soh might blame him for wanting the house in Connecticut. This is what makes him drive away.
Ebby tells Robert she wants to come back to France but will make no promises.
Ebby says goodbye to her friend Hannah, then flies to New York. She plans to visit her friend Ashleigh in Rhode Island.
Ebby reflects on what she never told her parents about the day Baz was killed. They’d been playing hide-and-seek, and Ebby was hiding upstairs but heard the conversation when the thieves entered. She knew that she should call the police but froze with fear.
Ed, now staying with his parents, recalls time spent with his children. His parents never liked the fact that he moved to Connecticut, although his sister, Kandy, supported his decision. Now, Ed reflects on the dangers of being a Black minority, even in a prosperous area.
Ed recalls an incident in 1988 that made him want to leave Refuge County, Massachusetts. A car of young white men passed him on the road, and one of the men held up a card with three letters on it.
In 1877, Willis’s son, Edward Moses, returns with a wife, while Basil becomes a favorite uncle. When a grandson marries, Willis and Aquinnah gift the jar to them and move it to the larger home on their property. There it stays for generations, since the family “understood that the old jar was the most valuable thing they had, apart from their freedom” (271). No matter what else is placed in the jar, the scrap of wood with the X always remains.
In 1910, Willis’s granddaughter, Eliza, shows him her medical degree.
Back in 2019, Ed is surprised when Ebby arrives to see him.
Ed and Ebby talk. Ebby finally reveals that she knows the robbers were after the jar. She never spoke of it because she feared they would come back. Ebby blames herself for Baz’s death because she begged her brother to play hide-and-seek. Ed realizes that “[i]t is time to tell his family the truth about the jar” (278).
Ebby recalls a game that her family used to play using the title of books. Granny Freeman had been one of the first African American librarians in New England. Ebby finds some of the game clues in her brother’s handwriting.
The Pitts, Adelaide and Bob, were the Freemans’ neighbors in Connecticut. They were friendly and welcoming when Ed and Soh first moved into the neighborhood. The families have remained close.
Mrs. P greets Ebby and reflects on the tragedy that visited her family, which the Pitts family mourned, too. After Baz was killed, the Pitts also sold their house and moved away.
Soh arrives at the Pitts family’s house. Ebby recalls how Mrs. P helped her the afternoon Baz was shot. Ebby sees that Soh isn’t ready yet to forgive Ed.
This section of the novel engages in a closer examination of the relationships between the characters, analyzing the connections that constitute a family and questioning the qualities that bind a couple into a lasting romantic relationship. These explorations take place as several separations drive certain couples apart, but Wilkerson balances these accounts with counterexamples of affectionate bonds that last, such as the marriage of Willis and Aquinnah, which remains stable despite resounding external threats. In this way, the novel’s examination of various romantic connections as the foundation for further family bonds adds nuance to the broader examination of The Obligations of Family Legacy.
For several of the characters, romantic separation leads to an episode of self-examination and discovery. For example, Avery’s sudden realization that she wants to rebuild her life mirrors and amplifies the motivation that Ebby has voiced in choosing to vacation in France. In this moment, Avery comes to understand that the bond she expects to have with Henry is something that he is incapable of offering her. Ironically, Ebby comes to the same realization when she recognizes that the man she wanted to marry not the man that Henry actually is. Likewise, Henry undergoes his own self-examination when both Ebby and Avery reject him, and he finally comes to understand that he has not lived up to his own ideal of masculinity.
Thus, all three of these characters make a choice to break free of the expectations that have held them back in life, and they take some time for interior reflection and contemplation, working to achieve Self-Determination as a Form of Empowerment. While Avery and Henry contemplate potential creative and professional outlets, Ebby reconsiders her attachment to her parents and mulls over the secrets that she has not told them. Notably, these characters’ efforts toward self-determination echo similar choices made by the characters in earlier timelines, particularly Willis. His first task for achieving self-definition entails gaining his freedom, after which he reaffirms his commitment to his family, thereby linking his own self-actualization with The Obligations of Family Legacy. By contrast, in the present-day timeline, the legacy of Ed and Soh’s marriage is currently under strain, and their spiritual rift is matched by the lingering image of the shattered jar, which also encapsulates Ebby’s struggles, the loss of Baz, and Ed and Soh’s temporary separation. Thus, these chapters address the Freeman family’s past in order to show that their family legacy and history are continuing to grow and develop despite the new range of challenges set against them.
Wilkerson also introduces new narrative patterns that propel the novel toward an eventual revelation and simultaneously promote healing for individual characters. For example, Henry understands that his silence was unnecessarily damaging on several levels, both because he couldn’t speak to Ebby about his feelings and because he was reluctant to confront Harris. Ultimately, the narrative reveals that the answer to the central mystery is actually quite simple: Harris is also Ed Freeman’s friend, and that is how he learned about the broken jar. When Henry is finally able to communicate the issues that weigh on his mind, he learns to accept that confronting his problems and communicating with others on difficult topics are important facets of adulthood. Ironically, Ed, who is already a mature adult, struggles with the same realization as he takes time away from Soh to dwell on his own choices and realizes that he needs to share what he knows about the jar and the family’s history.
In keeping with this chain of epiphanies, Ebby’s revelation about what she saw on the day that Baz was killed provides some additional clarity around the circumstances of the tragedy, but it also provides a way for Ebby to bond with her father as they both realize that they have been unnecessarily blaming themselves for failing to prevent Baz’s death. The narrative’s broader message about the importance of holding onto loved ones is designed to suggest a remedy for dealing with heartbreak and trauma. As before, the chapters narrated by secondary characters, like Robert or the neighbor, Mrs. Pitts, offer additional layers of perspective on the novel’s enduring themes of love, recovery, and resilience.
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